Nihonichi Free BGM

Seasonal music guide

New Year Music for Countdowns, Recaps and Celebration Videos

New Year videos fall into two groups: the loud celebration and the quiet look back. This guide helps you choose music for countdowns, year-in-review videos and celebration streams, and shows how to build a mood arc.

Browse New Year music
32New Year tracks
52–152BPM range (median 100)
100%instrumental
39countdown tracks

Listen and download

Newest 32 tracks that match this guide. Free to download, no sign-up, commercial use OK. All music is AI-generated. The Download button opens the track’s page (in Japanese), where the MP3 download starts.

New Year with the Lion Dance Ⅱ2:43 · 88 BPM · instrumental
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New Year with the Lion Dance2:28 · 88 BPM · instrumental
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Listening to the New Year's Eve Bell Ⅱ2:37 · 100 BPM · instrumental
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Listening to the New Year's Eve Bell2:41 · 100 BPM · instrumental
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The Morning of a New Year2:28 · instrumental
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The Morning of a New Year Ⅱ2:50 · instrumental
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Late on New Year's Eve2:59 · instrumental
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Late on New Year's Eve Ⅱ2:59 · instrumental
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Background for Year-End and New Year Guidance Ⅱ2:39 · 94 BPM · instrumental
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Background for Year-End and New Year Guidance2:15 · 94 BPM · instrumental
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Browse New Year music to search the full library.

Celebration or reflection?

Decide first whether the video celebrates or looks back. The New Year tracks run from 52 to 152 BPM with a median near 100, so there is room for both a calm review and a lively countdown.

Build an arc

A good New Year video moves from reflection to anticipation. Start with a slower track for the look back, then move to a brighter one for the future. Crossfade between them over a second or two so the shift feels natural.

A touch of Japanese New Year

If you want a Japanese New Year feel, the Japanese Traditional genre has 527 tracks, with koto, shakuhachi and taiko arrangements suitable for shrine-visit and festival footage.

Stream countdowns

For a stream countdown, play a calm track while chat gathers, switch to a rising-tension cue for the last minute, and cut the music at the moment of the reveal for a clean punch. The streaming-guide has a full setup.

Length and structure of a recap video

A year-in-review video usually runs from two to five minutes. With a typical track length of 2:24, plan on one or two tracks. Open with a calmer piece for the first months, then move to a brighter one for the last section, and end on a clean, slightly rising note that looks toward the new year.

Celebration streams and live events

For a live New Year stream, prepare a short playlist in advance: a relaxed set while viewers arrive, a more energetic set in the hour before midnight, and a single dramatic track for the countdown itself. Test every transition before you go live, and keep the volume steady so the countdown voice stays clear.

A short workflow

  1. Name the mood: celebrate, reflect or both.
  2. Pick one track per part.
  3. Preview each under its footage.
  4. Check the ending and the transition between tracks.
  5. Keep the music under any voice-over.

Where to start

Frequently asked questions

Is this New Year music free for commercial use?

Yes. The tracks are free to download without registration and can be used in commercial projects. You may not resell or redistribute the audio files themselves. See the license summary.

Do I need to credit the music?

No. A credit is optional: Music: Nihonichi Free BGM.

Are the tracks instrumental?

The New Year tracks are 100% instrumental.

Could my video still get a Content ID claim?

All tracks are AI-generated, and there is no promise that an automated system will never flag a track, because such systems can sometimes detect musical similarity. If a platform flags a video, follow its review or dispute process.

How long are the tracks?

The typical track is about 2:24.

Before you publish: every track here is AI-generated and free to download without signing up. Read the plain-English license summary for what you can and cannot do, and preview the music in your real edit or mix first.

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